Based on characters created by Stuart Palmer
Having watched the other five of the Hildegarde Withers movies that were made in the Thirties I couldn't very well skip over this one. But I have to say that I wasn't expecting much - and that was about what I got.
I've reviewed all of the other installments here and written an overview article on the Withers character so I'm not going to devote much ink to this one. It was the last and the least of the movies to feature spinster schoolteacher Withers and her partner in (solving) crime, Inspector Oscar Piper.
The problem here, as with the previous installment - The Plot Thickens - is Zasu Pitts, who simply was not right for the main role. The mix of ditziness and befuddlement that she brings to the character is not what one really expects after the first three movies starring the formidable Edna May Oliver and a follow up starring Helen Broderick. James Gleason turns in a typically good performance as Piper, as he did in every one of the movies, but it's not enough to save the sinking ship.
The plot, if you must know, mostly takes place backstage at a theatre, where various acts of mayhem take place, mostly while a show is going on - a show Withers and Piper just happened to be attending.
Leonard Maltin's capsule review says, in part, "Final Hildegarde Withers mystery-comedy is just plain awful, with Pitts and Gleason getting involved in a backstage murder." I don't know if I'd go quite that far - or maybe I would. But I did kind of like the armor scene. Maybe it's the Stooge fan in me.
Here's a brief take on things from the New York Times, who weren't quite as hard on this gem as Maltin or yours truly.